I promise, I'm not doing this to torture you. I'm doing it so that I can get a good grade in my AP English class.
What makes a good story? This is a question that has many answers, and each person has a different variety of things they think makes an interesting story. The most popular answers include action, mystery, romance, and magic. The Tempest by William Shakespeare has all of these qualities, and more. And what better way to experience that than by seeing it? Taylorsville High School just recently performed this play. Since we just read the play in our AP English class, what better way to reinforce the story than making us pay six dollars to go see it?
The story of this specific performance was simple. The story begins with a ship and quite a collection of passengers: King Alonso of Naples (played by Karl Gardener); his son Ferdinand (played by Seth Jones); the duke of Milan--and Prospero’s brother--Antonio (played by Wyatt Stensrud); Sebastian, Alonso’s brother (played by Lauryn Nebeker); Gonzalo, Alonso’s councilor (played by Sam Schmuhl); Trinculo, a jester in Alonso’s court (played by Natalie Andersen); Stephano, a butler to Alonso (played by Rockwell Strunk); two lords in attendance on Gonzalo, Adrian (played by Jaden Jensen) and Francisco (played by Landon Briggs); three mariners (Megan Atkinson, Sophie Micheel, and Megan McArthur); and the boatswain (played by Makoda Maus).
Anyway...the ship is in the middle of a storm, and everyone argues for a while, but then the ship wrecks, and the group is split up all around this enchanted island, where the only inhabitants are a magician named Prospero (played by Spencer Myers), his daughter Miranda (played by Miranda Prows), his powerful servant-spirit Ariel (played by Jessie Marchant), and his slave Caliban (played by Tynan Portillo).
It turns out that Prospero was the duke of Milan, until Antonio got rid of him and Miranda (Alonso played some sort of role in that as well, but they weren’t terribly clear on that). Gonzalo had helped them escape, and Prospero and Miranda had come to this island. Prospero was essentially taking revenge on them by splitting them up. Ferdinand was all by himself, assuming that everyone else had died. He comes upon Prospero and Miranda, and he and Miranda immediately fall in love. Prospero pretends to be all huffy about it and tries really hard to convince Miranda that Ferdinand must be a terrible human being (in reality, this is his plan). He “enslaves” him for a time, but Ferdinand and Miranda continue falling in love.
Prospero makes Ariel follow the others around and make sure that everything goes as planned. He also promises to free him after two days if he does everything faithfully. He also makes Caliban (who’s part fish, part human) get wood, much to Caliban’s annoyance.
Meanwhile, Alonso, Antonio, Sebastian, Gonzalo, Adrian, and Francisco stayed together, assuming that everyone else had died. Alonso is distraught (and completely useless) because he mourns his son. Antonio and Sebastian are frustrated (and completely useless) and secretly plot with each other to kill their companions so that they can be the rulers of Naples and Milan (even though Antonio already kind of is...I don’t know), but they’re thwarted by Gonzalo waking up a little too soon (thanks to Ariel). They cover it up, and continue wandering the island.
On yet another part of the island, Trinculo is trying to hide from an approaching storm and ends up hiding under the blanket (or cloak, maybe) that Caliban is hiding under (since he heard Trinculo coming and thought it was a spirit come to torment him). Along comes Stephano, singing loudly with a bottle of alcohol in his hand. He sees four legs poking out from underneath the blanket-cloak thing and kind of screams a lot. Trinculo, however, hearing a familiar voice, pops out, and the two of them converse and drink, and Caliban eventually pops out as well and scares them, and through a strange turn of events, gets drunk as well and swears servitude to Stephano, much to Trinculo’s annoyance.
After extensions of these (including a very surprising plot twist with flying, black demon things coming out of nowhere and scaring the crap out of Alonso, his group, and the audience), Ferdinand and Miranda get married, and as they do, three...female figures come out and sing to them. They’re apparently named Iris, Ceres, and Juno (and played by Megan McArthur, Sophie Micheel, and Megan Atkinson, respectively). Eventually, the groups all meet up together. I don’t want to spoil anything, so I’ll stop there.
The acting was quite impressive for the most part. The facial expressions and body language were very believable and greatly enhanced the story. I enjoyed the set mainly for two reasons: the large amount of books in the background and the actual pool in the front. The music was...fine? It didn’t really play much of a role, so I didn’t pay much attention. The sound and lights were...fantastic. It was really hot because of the lights, since it’s a really small room and there were lots of people added to the already warm lights. The costumes were realistic, the excellent directing shone through their obvious excitement to be acting, and I usually understood what was going on, except for the first ten minutes.
So, what makes a good theater production? According to me, at least, a good theater production needs good talent but also good attitudes. There ought to be minimal technical difficulties, memorization problems, and otherwise other bloopers. The time and effort put in should be impressive, not distracting. It should be fun (notice I didn’t say funny) and interesting to watch. It shouldn’t be too overly dramatic. Really, I just want everyone involved to look like they’re enjoying it. And with The Tempest, they truly achieved that. Definitely a four star performance...even with Natalie Andersen’s slip that turned out to not be part of the script.
I hope your day is as awesome as you.
I hope your day is as awesome as you.